An Hour of Who a Day: 08/12/17

August 12: "Oxygen"

Promo pic for "Oxygen" (from BBC One - Doctor Who, Series 10,
Oxygen) ©BBC

It opens, cheekily, by lifting from the famous opening from Star Trek: "Space, the final frontier..." Except instead of continuing with a stirring, optimistic speech, here the Doctor uses the phrase to illustrate just how deadly space is. It's a fun little subversion.

"Oxygen" is by Jamie Mathieson, who, after a bit of an uneven entry last series ("The Girl Who Died"), is back on form, with a tense, thrilling affair that's right up there with his series 8 episodes ("Mummy on the Orient Express" and "Flatline"). We get some stuff early on regarding the Vault... oh right! The Vault! I haven't even mentioned the Vault yet. It's the reason the Doctor is staying at the university and lecturing, because it's a safe place to guard this mysterious Vault that Nardole keeps reminding him about. In some ways the Vault is the overarching plot this series, but as pretty much everyone correctly guessed who was in the Vault, they wisely don't milk it till the end -- in fact, we'll find out who's in it next time around. But yeah, the Vault comes up basically so that Nardole can chastise the Doctor about it and the Doctor can ignore him, but in a way such that Nardole gets to come along on the adventure this time around, instead of remaining behind like he's done in the last three episodes.

One of the neat things about "Oxygen" is how it takes an argument of free, unfettered capitalism and extends it to a logical conclusion: in space, oxygen is a resource just like any other, and corporations charge money for resources, so therefore corporations would charge its employees for oxygen. So the number of breaths you have left becomes the measurement for everything, and it creates a tension of a constantly ticking clock in the background that the audience is aware of on some level, even if it's not being brought up all the time. Then there's the reference to the idea that the Doctor and company are from the union, which the others believe to be a myth. And of course, there's the fact that the life-preserving spacesuits that everyone is required to wear are programmed to start killing all the employees because it would be cheaper to just bring in a brand-new crew than to either fire this crew (and thus have to transport them back from the mining station) or train them to be more efficient or something, which also reads as a critique of capitalism and the focus solely on the bottom line. (One is reminded of the infamous memo related to the Ford Pinto, where Ford calculated that it was cheaper to just deal with the cost to society of accidents and deaths than to alter every vehicle to be in accordance with higher safety standards.) But the cool thing about this critique is that it's there in the background, motivating the plot, but Mathieson isn't beating us over the head with it, shouting "Look how terrible capitalism is!" or anything. It's just a logical extrapolation, like all good allegorical SF.

The cast, of course, is great; Pearl Mackie still excels as Bill, while Matt Lucas gets to slip back into the comic relief role that he had in "The Pilot". It's a relationship that works really well, and seeing the two of them with the Doctor continues to be a real joy. (In particular, the bit at the end where Bill hugs the Doctor, and then Nardole hugs them both to be part of the moment, made me laugh out loud.) There's also the way Bill reacts to being confronted with an alien with bright blue skin, which leads to her being called a racist, which is handled with a nicely light touch. And it's good that they have these light moments, because the rest of the story is properly scary, with basically zombies trying to kill off the remaining crew. As I said earlier, the tension doesn't really let up, and the atmosphere (sorry) of the episode is therefore very effective -- certainly, for my money at least, much more effective than last week's episode. The moment where it looks like Bill might die from vacuum exposure is excellent, and the way that the solution has repercussions for the Doctor, blinding him, is clever. It makes the Doctor have to rely even more on his wits, now that the TARDIS, his sonic, and even his sight are unavailable to him. Really, the only thing that doesn't quite work is the idea that Bill is only knocked out by the electrical charge, not killed, and that's probably more an issue with the direction and makeup making her look dead than with the idea itself.

So "Oxygen" is a compelling, scary episode that provides a nice set of thrills, but with a point about capitalism lurking in the background, adding another layer to consider and appreciate. In fact, it's worth taking a moment to ponder just how good this run of episodes has been so far. It hasn't been a perfect success, of course, but even the weaker episodes have plenty of moments to make them at least somewhat worth your while. It's a sign of just how confident and experienced the production team has become: this is a team that knows what works and what doesn't, but critically, this doesn't mean that they've gotten complacent. Doctor Who is still pushing itself, coming up with new ways to thrill and entertain viewers, all while making it look natural. Some of this is their excellent casting, of course (seriously, you should just accept that I'm going to be raving about Pearl Mackie for the rest of series 10), but some of it is the way they're still taking risks. Like that cliffhanger at the end, making the Doctor still be blind. A less adventurous production team would have made the Doctor better at the end of the episode, and in fact we the audience assume that that's what will happen -- but making his choices have long-term repercussions, even if those choices were the correct ones in that moment, is the sign of a show still pushing itself. Doctor Who isn't resting on its laurels by any means, and having the Doctor's blindness persist makes you want to know what will happen next. What more could you want?