An Hour of Who a Day: 01/17/15

January 17: "The Age of Steel"

This week's TARDISode:
     All around the woooorrrrld
     Gotta spread the woooorrrrd
     Tell 'em what you've hearrrd
     You're gonna be a Cyberman

The main problem with "The Age of Steel" (for me, at least) is that it's really hard to get worked up about the fate of people in a parallel universe. I'm really not sure why; it's not like Doctor Who is normally a documentary or something, but nevertheless the fact that what we're witnessing doesn't affect "our" universe makes it hard to get really invested in events. (And unlike, say, Inferno, we're not witnessing a cataclysmic disaster that leads to a breakdown in everything or directly comparing it to "our" world (which is what made that story worthwhile), but rather are simply seeing the sort of event that happens roughly once a year nowadays in the regular Doctor Who universe anyway.) So even though we see Ricky killed by the Cybermen, it's hard to feel genuinely upset about it because Mickey is standing right there -- and as he was the only one present alongside his double, it felt more like bookkeeping than anything else. Meanwhile, Jackie's conversion into a Cyberman is presented in a way that looks like we're supposed to be horrifically upset by this, but as it's not "our" Jackie it's hard to muster up the energy to care as much as it seems we're supposed to.

But where this episode (and really, this story) succeeds is in Graeme Harper's direction, which he makes impressively dynamic. The scene of the Doctor and Mrs. Moore walking through the Cybermen-infested cooling tunnels is really well done, and manages to be tense and suspenseful without seeming too much like the crew of the Enterprise walking through a Borg ship on Star Trek: The Next Generation. And Mrs. Moore's death actually is genuinely upsetting; she's been one of the best things about this episode, and to see her killed in such a shocking moment has a major impact on the viewer. (Although how did that Cyberman come up behind her without anyone hearing it stomping?) And the part right before, where the emotion inhibitor in the Cyberman is deactivated and we get a sense of who the Cyberman used to be, is really good -- it explores the idea of the dehumanization of the Cyber-conversion process in a way we haven't seen before, and the thought that the Cybermen have removed all their emotions not because emotions are "weak" (even though Lumic seems to be suggesting that later) but because it's the only way to stop them from going insane is a fascinating one, and it's a scene enhanced by Harper's direction, with a close-up on the Cyberman's face as "she" wonders what's going on.

But it's still hard to shake the idea, after everything is over, that we're meant to care a lot more than we actually do. The moments that involve the regulars work way better than most of the ones that don't; we're cheering when Mickey saves the day by tricking the robot Cyberman into smashing the transmitter controls, and when he works out what the Doctor is telling him to put the Cybermen out of action for good. As such it's genuinely sad to see him go at the end of the episode; Mickey has become the audience identification figure, and he's had a larger and more complete character journey than Rose has -- compare his first appearance in "Rose" to how he is here, and it's clear how much he's grown. It's genuinely sad to see him go, even when you know he'll be back later.

However, ultimately "Rise of the Cybermen" / "The Age of Steel" is a story that doesn't quite work. As a straightforward action tale it does a good job; there's enough action here to keep you happy, enhanced (once again) by Harper's direction, and it's probably a good move to have a simplified Cyberman history. (Although subsequent tales are going to make things even more complicated than they ever were before.) But you get the feeling that this two-parter wants to be more than that; it wants to examine some familiar characters in a new light and see what comes out. But no one's different enough for this to work: Ricky is probably the furthest away from his counterpart, but that just makes him angry all the time. Pete Tyler is still a good man and Jackie is a bit more snobbish, but it's hardly a reach for her character. What it comes down to is that they don't give us enough of a reason to care about the fate of Pete's World, and so we're distanced from the events we see on screen; it's not affecting "our" Earth, so why should we care? It's a question that "Rise of the Cybermen" / "The Age of Steel" struggles, and ultimately fails, to answer.