February 17: "The Family of Blood"

Son of Mine and Mother of Mine gather their army. ("The Family of
Blood") ©BBC
Here's where the action is, as the Family of Blood start killing people and sending their scarecrow army against the public school John Smith is teaching at, all so that they can get their hands on a Time Lord and thus live forever.  To this end we get some good action moments, such as the boys shooting down the scarecrows and the Family bombarding the village to draw the Doctor out.

But ultimately, what this story wants to be is a character study of the Doctor: once you strip away all the "lonely god", "last of the Time Lords" stuff, what's left?  What is it that makes the Doctor tick?  Is the Doctor, at his core, a good man (to borrow one of series 8's promotional lines)?  The answer seems to be yes, but they try to have it both ways: to make a human Doctor still a good person, but all the while insisting that the full Doctor is one of the best things ever.  So what this means is that, while you might expect that John Smith has the basic traits and beliefs of the Doctor, that's not really what we get.  Instead we get the result of a human Doctor, and the result is...human.  Plain old homo sapiens sapiens.  He's not a bad man, but he's very much human, with all the failings and weaknesses that entails.

Here's a case in point: last episode, Tim starts daydreaming during machine gun practice, and so Hutchinson asks if he can go discipline Tim.  John Smith agrees without a second thought.  It's certainly in keeping with the time period, but it doesn't really match how we -- all right, I -- think the Doctor should be.  (A similar situation in the book gives John Smith pause, which might be why this sticks out to me.)  It is, however, a human reaction.

But so while the "Human Nature" 2-parter espouses the virtues of being human, it also details the benefits of being the Doctor -- best summed up in Tim's speech: "He's like fire and ice and rage.  He's like the night and the storm in the heart of the sun. ... He's ancient and forever. He burns at the centre of time and he can see the turn of the universe. ... And he's wonderful."  And that seems to be the point of this story: that it's good to be human, but it's also good to be the Doctor, even if he brings death and destruction with him.  The universe needs him.  But that's nothing new; that's been an underlying theme of the show for some time now.

And so here's the thing: this story is definitely firing on almost all cylinders -- there are only a couple odd moments, like the Doctor's rather vengeful punishments for the Family -- and David Tennant is incredible here, as he rages against becoming the Doctor.  It's also fascinating how much more distant he becomes once he's the Doctor again -- the scene between him and Nurse Redfern at the end is very powerful as a result.  The rest of the cast are excellent -- Harry Lloyd in particular is incredibly creepy as Son of Mine -- and the direction and design is gorgeous.  But I find that "Human Nature" / "The Family of Blood" isn't quite the story I want it to be.  It sometimes feels like there's a missed opportunity, a lost chance to see what really makes the Doctor tick.

The Discontinuity Guide uses a phrase to describe The Caves of Androzani: "brilliant but over-rated."  That pretty much sums up my feelings on "Human Nature" / "The Family of Blood".  It's wonderful, but I feel like it could have been even more wonderful.