It starts oddly, though; we get some portentous (some might say pretentious) narration about the "final days of planet Earth", but then it's a complete change of pace with some frankly appalling jokey material regarding the Doctor. The TARDIS remote-locking fob (complete with car locking noise) is bad enough, but we also get some nonsense about the Doctor marrying Elizabeth I and her having to change her nickname.211 And it also seems strange that the Ood are suddenly this race with the power to transcend time in order to call the Doctor to them. (Mind, even the Doctor thinks this is strange, but the explanation is only half-formed; hopefully they'll elaborate in the second half.)
There's also a worrying amount of technobabble going on; the Master's resurrection seems strange enough, with its secret disciples of Harold Saxon and a counter organization designed to stop them, but then this somehow leads to the Master turning into a super-powered madman who can fly like Iron Man, leap like Superman, and shoot electricity from his hands like the Emperor from Return of the Jedi -- there are some passing references to how "[y]our resurrection went wrong. That energy. Your body's ripped open. Now you're killing yourself," but that's about it. Combined with the utterly mad cliffhanger of the Master turning everyone into himself, you start to worry that maybe it's Russell T Davies who's lost his mind.
The Doctor welcomes Wilf aboard the TARDIS. (The End of Time Part One) ©BBC |
DOCTOR: I'm going to die.It's an amazing piece of acting from both David Tennant and Bernard Cribbins, as the Doctor starts to lose it at the thought of dying, while Wilf just wants to desperately to help the most amazing man he's ever met. It's a very powerful scene and one of Tennant's best-ever scenes as the Doctor. But he also gets other great moments, such as dealing distractedly with Wilf's first look inside the TARDIS after Wilf barges in ("You can't come with me," the Doctor says. "You're not leaving me with her," Wilf replies, indicating Sylvia. "Fair enough," the Doctor replies, as he lets Wilf in) or offhandedly deactivating the Vinvocci's "Shimmer" camouflage without even looking.
WILF: Well, so am I, one day.
DOCTOR: Don't you dare.
WILF: All right, I'll try not to.
DOCTOR: But I was told. He will knock four times. That was the prophecy. Knock four times, and then...
WILF: Yeah, but I thought, when I saw you before, you said your people could change, like, your whole body.
DOCTOR: I can still die. If I'm killed before regeneration, then I'm dead. Even then, even if I change, it feels like dying. Everything I am dies. Some new man goes sauntering away, and I'm dead.
These are the sorts of things that make this episode, by and large, worth watching. It may be incredibly daft/poorly thought-out (delete according to preference) at times, but there's such an unwavering conviction at work, that they absolutely know what they're doing and they're not going to let anyone stop them, that's it's hard not to be swept up in everything. The actors make this work, and the direction and script both trust that we'll be willing to come along for the ride. And at this point we are.
(But what a cliffhanger! The Time Lords (led by James Bond! All right, Timothy Dalton -- but still!) are coming back!)
211 Fortunately, Steven Moffat will subsequently explain this one away in "The Day of the Doctor".