March 28: The Tomb of the Cybermen Episodes 3 & 4

The Doctor is confronted by the Cyber Controller. (The Tomb of
the Cybermen Episode 3) ©BBC

Having announced at the end of the last episode that "you belong to us", the Cybermen appear ready to make good on their proclamation.  They tell the expedition that the surface rooms were designed so that only intelligent people could come down into the tombs and thus become Cybermen -- hence all the logic puzzles and such.  Then the Cyber Controller explicitly marks Klieg and Parry as the first and second people to be turned into Cybermen. We're sort of used to the idea of people being turned into Cybermen now, but this is the first time it's made explicit; yes, there's that moment in The Tenth Planet where the Cybermen announce that the crew of Snowcap Base will be converted into Cybermen, but that never feels like a legitimate threat.  But here, the idea of being turned into a Cyberman is a very real threat, and it's only the intervention of Captain Hopper and his smoke grenades which saves them from this fate.

The rest of the episode is a tense waiting game, as Parry's expedition is only sticking around while the rocket crew repairs the damage done by Toberman in episode 1.  The Cybermen are trapped down in the tombs, unable to open the hatch (um, bit of a design flaw there, not having an opening lever down in the tombs), so they send Cybermats, little metallic "caterpillars" (to use Jamie's description), up small ramps to terrorize the people above.  But before this we get a nice little scene between the Doctor and Victoria, where they talk about the Doctor's family and Victoria's father.  And the Doctor reassures her and tells her, "So remember, our lives are different to anybody else's.  That's the exciting thing.  There's nobody in the universe can do what we're doing."  It's nice to have a quiet little scene like this in the midst of all the action.  But then the Cybermats attack (well, scuttle about), but the Doctor's quick thinking saves them.  "You might almost say they've had a complete metal breakdown," the Doctor puns, to which Jamie groans -- massively out of character for an 18th-century Highlander, but still entertaining.  And then Klieg emerges from the testing room in which he's been kept prisoner by the others, holding an x-ray laser.  Nice work, guys, locking him in a room with working weapons.

Episode 4 isn't quite as entertaining as the others, since it's concerned more with finishing up the story rather than maintaining the mood like the other three have been.  The Cyber Controller orders the other Cybermen back into the tombs "to conserve energy" -- a move which seems to come out of nowhere (Cybermen need to regularly recharge?) but which means that our heroes only have to deal with a couple of Cybermen, rather than a city's worth.  The Cyber Controller arrives to talk terms with Klieg, but he's clearly weakened too, so they lock him inside a cabinet with a revitalizing machine and then tie down the door.  "Jamie, I hope you made those ropes secure," the Doctor says.  "Och, the King of the Beasties couldnae get out of that one," Jamie replies, right before the Controller smashes through the door, the ropes easily falling away.  Another fun moment.  Then the Controller reenters the main room upstairs, ordering Kaftan to open the hatch to the tombs.  When she refuses, he kills her with the x-ray laser, leading to possibly the least convincing death fall in all of Doctor Who, as Shirley Cooklin gingerly lets herself down onto the floor, rather than just falling down dead.  This upsets Toberman, so he kills the Cyber Controller (or, at least, a dummy version of him) by throwing him against the control banks.³⁷  The Doctor then goes down into the tombs to freeze the Cybermen forever.

Toberman attacks the Cyber Controller. (The Tomb of the
Cybermen Episode 4) ©BBC

But Klieg, clearly off his rocker by this point, insists that the Cybermen will work for him, first via strength (because of the x-ray laser) and then because their Controller is killed by Toberman (who's been half-cybernized by this point -- a stark reminder of the fate that awaits the others should the Cybermen succeed).  Still, this does lead to the wonderful "now I know you're mad" moment from the Doctor.  Then Klieg is killed by a Cyberman, who is then himself killed by Toberman (with, it must be said, a really gruesome death, as a huge amount of foam spills from its chest unit -- was this what the deaths in The Moonbase were like?  It is the same director...), and so the Doctor can finally seal up the tombs.  He then reelectrifies everything, but the Controller, it turns out, isn't quite dead, so Toberman sacrifices himself by closing the doors and taking a massive electrical shock in the process.  But the Cybermen are sealed inside their tomb once again.  "Now, that really is the end of the Cybermen, isn't it?" Jamie says.  "Yes, Jamie.  On the other hand, I never like to make predictions," says the man who declared "the final end" of the Daleks last story.

When The Tomb of the Cybermen was recovered in 1991, there was a sense of letdown once people could actually see the thing again, and they noted things like the ropey special effects (dummy Controller, obvious Kirby wires on Toberman, the polystyrene door the Controller bursts through) and the rather variable performances from the guest cast.  Prior to 1991, Tomb had been hailed as a perfect classic, so you can see how people were a bit disappointed when they could watch it themselves.  But the thing about The Tomb of the Cybermen is that it still hangs together quite well.  There are some moments of lesser quality, certainly, but no more than in any other Doctor Who story.  The lapses in story logic are a bit less forgivable, but again, no worse than, say, The Evil of the Daleks and its "mirrors + static electricity = working time machine" stuff.  The sense of dread and tension that pervades the serial makes this quite a standout story, and you can definitely see why it made such an impact on children at the time (these were, after all, the people who later enhanced Tomb's reputation to such a high degree).  Only in the last episode, where we're denied a climactic battle between the humans and all the Cybermen and have to be content with fighting off merely two of them, do things start to really disappoint.  Everything before is marvelously entertaining.







³⁷ Toberman's upset by Kaftan's death, I mean, not her lousy acting -- although I guess we can't rule out the possibility that Roy Stewart is channeling his rage at her performance in his attack on the Cyber Controller.

March 27: The Tomb of the Cybermen Episodes 1 & 2

Whew.  It's something of a relief to finally get to a complete story in the archives -- and thanks to the recent recoveries by Phil Morris, we've reached a point where over two-thirds of the remaining Troughton episodes are in existence.  I think I was getting a little tired of being tantalized by soundtracks and telesnaps and not being able to see much of anything.  This story, of course, was until 2013 the most recently recovered complete story, having been returned from Hong Kong in 1991.

Standard and special edition DVDs

Episode 1 of The Tomb of the Cybermen opens mere moments where The Evil of the Daleks left off, as Victoria is brought into the TARDIS and the Doctor and Jamie explain that it's a time machine, just like her father was working on -- which leads to Victoria's rather marvelous non sequitur, "I mean, if what you say is true then you must be, well, how old?"  As if being incredibly old is a requirement for time travel.  But this serves as a nice little recap not only of what happened between seasons, but also of the show in general.

But then we shift to a rocky planet and an archaeological crew trying to blow a hole into the side of a mountain in order to unearth the lost city of Telos³⁶, the legendary tomb of the Cybermen.  It seems the Cybermen have disappeared from history "many centuries ago", and now archaeologists are keen to learn more about them.  The Doctor and his friends stick around as they explore the lost city (which looks more like just a largeish building up top, but never mind), and then in the cliffhanger, a Cyberman emerges to kill one of the party...

There's an air of confidence about this, even as the odd accents and bizarre characterizations abound; Kaftan and Klieg might as well be wearing flashing "villain" signs for all they try to disguise their ulterior motives.  Kaftan in particular seems spiteful, apparently trapping Victoria in a Cyberman recharging closet just for the hell of it.  But there's a self-assuredness about the direction that makes up for these lapses in the serial.  And being able to see the episode adds to one's enjoyment enormously -- you wouldn't know about all of Troughton and Hines's interplay from the soundtrack alone.  Note in particular the lovely moment where the Doctor, entering the tomb for the first time, takes Jamie's hand in the belief that it's Victoria's, realizes what he's done, and throws it down in disgust.  Great fun.

Episode 2 continues the fun, as Klieg manages to open the hatch leading down into the tomb (thanks to some help from the Doctor, oddly -- he seems to be conflicted here, as he warns the expedition against meddling with things that should be left alone, yet he's eager to give them a helping hand when necessary; maybe his curiosity is getting the better of him).  But before that there's some stuff with the Cyberman in the testing room (actually a robotic dummy), with another fun Troughton/Hines moment.  The Doctor's trying to work out the sequence of events that led up to Haydon's death, and he needs Jamie to show him what buttons and levers he used.  "Now there is a distinct element of risk in what I'm asking you all to do, so if anyone wishes to leave they must do so at once.  Not you, Jamie," the Doctor adds, as Jamie moves to leave.

The Cybermen emerge from their tomb. (The Tomb of the
Cybermen Episode 2) ©BBC

But yes, the hatch has been opened, and the majority of the party descend into the actual tomb, only to discover that the Cybermen aren't dead; they're merely in suspended animation, waiting for someone to come and reactivate them -- an action which Klieg is only too willing to perform.  He seems to think that, as a member of the Brotherhood of Logicians back on Earth, the Cybermen will be only too willing to help them take over (or something...the motivation here is a little vague, to be honest).  He doesn't seem to have counted on the Cybermen being unwilling to go along with this plan.  But they are, and as we meet the Controller of all the Cybermen (as indicated by his lack of a chest unit and his giant brain case), Klieg learns how wrong he is.  "You belong to us," the Controller says, grabbing Klieg's arm tightly.  "You shall be like us."

These two episodes are often a little loose in acting and plotting, but that aforementioned confidence helps carry things off.  It also helps that these two episodes are building up to the end of episode 2, when the Cybermen finally emerge from their tomb.  Their presence hangs over all the proceedings, and their emergence is justly iconic.  So far, The Tomb of the Cybermen is a winner -- we'll have to see how things go next time, to see if they can keep it up.








³⁶ And note that at this point in time the name "Telos" seems to refer only to the city itself, not the entire planet.

March 26: The Evil of the Daleks Episodes 5, 6, & 7

Episode 5 is also padded, albeit not as padded as the last episode -- but really episodes 3, 4, and 5 could have been condensed into two episodes without any real problems.  We do get some interesting moments with the Doctor and Arthur Terrall (where we learn that Terrall seems to be incapable of drinking, and that he also has magnetic properties, apparently because the Dalek control box is flooding his system with static electricity), and we also learn that Maxtible is an accomplished hypnotist, and that he used this skill to get Victoria to go to the Daleks.

But there's more waffle with Victoria in that room with Jamie and Kemel, as it takes them the majority of the episode to get out again.  When they do get out it sounds like there's a good swordfight going on, so there's that at least.  However, the best part of the episode concerns the Doctor and the Human Factor, as he contemplates making the three test Daleks become humanized.  Waterfield tries to get him to stop (both by argument and by force), but the Doctor seems to think that the humanized Daleks won't be as much of a threat as initially believed: "And sacrifice a whole world?  A history, past, present and future?  Destroy an entire race?" Waterfield asks.  "Yes," the Doctor replies.  "I don't think you quite realize what you're saying.  But yes, it may come to that.  It may very well come to that."  It seems even at this point the Doctor is considering the effect his Daleks will have on the Dalek race.  This leads to the oddest cliffhanger yet, as the humanized Daleks play a game with the Doctor, pushing him around and playing with him.

The humanized Daleks play a game with the Doctor. (The Evil of
the Daleks Episode 5 - from Doctor Who Photonovels: The Evil
of the Daleks - Episode Five) ©BBC

Episode 6 gets us back on track, with lots of incident and excitement.   The humanized Daleks are like children, learning about the world with wonder (and there's nothing as oddly creepy as Dalek voices with curious human-like inflections) and learning about things like friendship.  The Doctor names them Alpha, Beta, and Omega -- but then they announce that they're leaving.  Yes, it's time for this adventure to head to Skaro -- once we've blown up Maxtible's house with a bomb first.

Skaro's certainly a more abstract-looking place than the last time we visited, way back in The Daleks.  There's a lot more black space and sharp angles to be seen here, which gives the place a rather German Expressionist look.  Into this city enter Victoria and Kemel, Maxtible, and later the Doctor, Jamie, and Waterfield.  This episode's about moving the pieces into their final positions, but it does so very well.  And then, at the end, we meet the big daddy of them all: the Emperor Dalek.  This is clearly a huge creature, ten feet high at least, that the telesnaps only begin to hint at.  It turns out, under the Emperor's orders, that the Daleks have been more devious than the Doctor thought; instead of isolating the Human Factor, the Doctor has allowed them to isolate the Dalek Factor, which they will use to spread Dalek-ness through all of human history, forcing the Doctor to use his TARDIS to do so...

What's this?  That's right, three episodes today!  (Otherwise episode 1's would be the second episode of a given day until Colin Baker's era.)  So let's finish off this story -- and season 4 -- by listening to episode 7 of The Evil of the Daleks...

The Emperor Dalek. (The Evil of the Daleks Episode 6 -
from Doctor Who Photonovels: The Evil of the Daleks - Episode
Six) ©BBC

Things look bleak at the start.  The Doctor and his friends are prisoners of the Daleks, and they hold his TARDIS, so it looks like there's no way of escaping.  And what's worse, Maxtible is conditioned with the Dalek Factor when his greed overtakes him and he tries to take the machine the Daleks show him that turns iron into gold (seemingly; however, I seem to recall John Peel's novelization indicating that this was actually a hoax to get him to go through the Dalek-ifying archway).  And then Maxtible hypnotizes the Doctor and has him walk through the archway too, turning him into a Dalek-like person as well.  This is pretty crazy "how will they get out of this?" stuff.  But it turns out that the archway doesn't work on the Doctor (because in his words, "I don't come from Earth"), and he swaps the Dalek Factor capsule with a Human Factor capsule.  This sets the scene for the final confrontation, as the Doctor (while pretending to be Dalekized) convinces the Emperor to send all Daleks through the Dalek Factor archway, to try and turn Alpha, Beta, and Omega back into Daleks that don't question orders.  Now there's a large faction of humanized Daleks roaming through the city, leading to civil war on Skaro, with lots of exploding Daleks and wreckage and things.  ("Do not fight in here!" the Emperor Dalek booms memorably, as Daleks blast each other to pieces in the Emperor's control room.)  The Doctor, Jamie, and Victoria leave Skaro in the TARDIS -- everyone else (with the possible exception of Maxtible) having been killed in the carnage.  Waterfield's dying wish is that the Doctor look after Victoria, and so that's what he's going to do.  And the story ends with the war on Skaro still raging...

The Evil of the Daleks is quite an accomplished piece of Doctor Who.  Yes, some of the science is ludicrous (though no more than any other Whitaker script), but there's a confidence on display here that more than makes up for this.  The Evil of the Daleks was intended to be a "final end" for the Daleks (Terry Nation intending to take his creations to America for a TV series that never happened), and there's clearly a desire to send them out in style.  And in this, they succeed admirably.  It's padded fairly obviously in the middle, but it's also a suitably epic confrontation between the Doctor and the Daleks, one that starts small but grows larger and larger until the fate of an entire planet is affected.  An impressive achievement.

Yet it's a bit of an oddity for season 4.  Season 2 saw Doctor Who push the boundaries of its format, and season 3 saw more of the same, just in new and different directions.  Yet season 4 sees the series start to play it safe.  After the newness of the base-under-siege format in The Tenth Planet, and the hand-off from one lead actor to another in the same story (handled in admittedly an impressively creative way), there's a feeling here of a lack of ambition.  Innes Lloyd and Gerry Davis are content to keep telling the same basic storyline from here on out -- there may be some alterations from story to story, but the basic concept of a crusader who repels aliens attempting to attack/infiltrate/kidnap us remains the same from story to story.  And note that word "crusader"; the Doctor began this series as an explorer and a scientist, one who wanted to learn about the universe rather than shape it, but now he's simply there to fight "evil", because that's what he does now.  The exploration and discovery is a sideshow to repelling the Alien Threat of the Month. 

But it's clear that this is the show Lloyd and Davis want to make, and that anything outside that remit isn't worth doing in their eyes (stand up, The Highlanders).  This method is a success, with ratings remaining steady throughout this period -- and the next season, which is arguably even more limited in its scope, is frequently hailed as one of the finest seasons of the entire series -- but that sense of wonder that characterized the early years is gone, and one gets the sneaking suspicion that the stories this season that are successful are successful in spite of this new direction, rather than because of it.

March 25: The Evil of the Daleks Episodes 3 & 4

So.  The Evil of the Daleks is a seven episode serial for some reason³⁵, and the upshot of this is that episodes 3 and 4 seem to be largely padding.  Of course, this being a David Whitaker story, it's at least largely entertaining padding, but padding nevertheless.

The best bits of episode 3 involve the Doctor manipulating Jamie into rescuing Victoria Waterfield from the Daleks so that he can be studied and the Human Factor derived from his actions.  We've never seen the Doctor be this devious before, and especially not with his friends, so it's an interesting development.  The Doctor is apparently only cooperating with the Daleks because they have his TARDIS in their custody, and he's willing to place his TARDIS above all else, even though his actions will lead to the creation of a race of super Daleks.  There's also a moment where the Doctor tries to have himself used for the tests instead of Jamie, only to be told by the Daleks, "You have traveled too much through time.  You are more than human", which is a fascinating spin on the Doctor.

The rest of the episode primarily involves Maxtible bringing in a mute Turk named Kemel to be opposed to Jamie during his rescue effort, and an odd subplot with a man named Arthur Terrall, who apparently paid Toby to kidnap Jamie but then remembers nothing about it.  The implication seems to be that he's under the control of the Daleks but is fighting it, but it's handled so oddly that we're never certain what Terrall's motivations are.

The Doctor programs the Human Factor while a Dalek looks on.
(The Evil of the Daleks Episode 4 - from Doctor Who Photonovels:
The Evil of the Daleks - Episode Four) ©BBC

If episode 3 was fairly padded, episode 4 is basically pure padding.  Jamie spends most of the episode playing Victorian Gladiators with Kemel, who initially starts out as an opponent but joins Jamie's side after Jamie saves his life.  The two of them then slowly make their way through the house, dodging lethal traps on their way to Victoria.  (And it's been mentioned before, but the Daleks want to isolate the Human Factor by subjecting Jamie to deadly surprise traps -- as if leaping out of the way is somehow an innate human quality.)  This means there's a lot of fighting and action going on, but as this episode only exists on audio this is a bit of a drawback -- although the telesnaps do make it seem like it was at least interestingly directed.

There's also a bit of stuff with Waterfield and Maxtible as they remove Toby's body from the house (exterminated last episode while looking for things to steal), where Waterfield announces his intention to "confess my part in all that has happened" once Victoria is safe.  It helps humanize Waterfield and also show that Maxtible is a bit of a snake, as he's ready to kill Waterfield until Terrall prevents him.  And we learn why Maxtible is going along with the Daleks: not because they have some hold over him as they do Waterfield, but because of simple greed; the Daleks are apparently going to tell him how to transmute metal into gold.

But yes, episode 4 is mainly about Jamie and Kemel's slow journey through Maxtible's house of horrors (and just how big is this house anyway?), with occasional prefilmed inserts of the Doctor deciding what parts of Jamie's reactions should make up the Human Factor (prefilmed because Troughton's on vacation this week).  These two episodes could have been condensed down into one without any problems, but as it is, we get a  journey that was probably a lot more tense and dramatic when seen rather than when heard.







³⁵ Actually, is there a satisfying answer as to why season 4 has an odd number of episodes?  Season 2 had an odd number because of the Planet of Giants incident, and season 3 has an odd number as a result of needing to make up that "lost" episode.  But season 4 seems to have an odd number just because the last two seasons did, rather than for any specific production-related reason.

March 24: The Evil of the Daleks Episodes 1 & 2

We end up with a direct cliffhanger from The Faceless Ones -- the TARDIS was stolen at the end of last episode, and now we're investigating with the Doctor and Jamie as to its whereabouts.  They're given a set of clues to follow, but it turns out the clues are being deliberately planted; whoever stole the TARDIS is banking on the Doctor's cleverness.

The identity of that person is ultimately one Edward Waterfield, who seems to be going out of his way to demonstrate that he's not from around here: he has no knowledge of contemporary slang and generally has the manner of an awkward Victorian gentleman.  He's also supplying what appear to be excellent replicas of Victoriana, which seem to come from a strange machine in his back room -- which is where he speaks to his unseen and unheard bosses.  Gee, I wonder who they'll turn out to be?

The Doctor successfully follows the trail of breadcrumbs left for him and meets up with Waterfield's assistant Perry, who lets him know that Mr. Waterfield would like to meet with him at 10 pm.  Meanwhile, Waterfield's hired goon Kennedy goes snooping, and comes face to eyestalk with a Dalek...

Episode 2 is yet another one that exists as the result of a return from a private collection (and thus gives hope that there are other episodes out there from stories with only a few prints struck -- The Evil of the Daleks appears to have only had three copies made for international sales, yet one of the episodes managed to survive), and so we can see what's going on.  This means we see Kennedy's extermination at the top of the episode, and we see the Doctor and Jamie fall into the trap that Waterfield has laid.  The rest of the episode takes a bit of a turn, as we move from Chelsea 1966 to outside Canterbury 1866 and the home of Theodore Maxtible.  It seems he and Waterfield were conducting experiments with mirrors and electricity; when they tried static electricity, they attracted the attention of the Daleks, who have forced the two to work for them in trapping the Doctor.  The Daleks are being quite devious here; they've kidnapped Waterfield's daughter Victoria in order to get his cooperation, and they seem to have some sort of hold over Maxtible as well.  Maxtible surmises that the Daleks want to isolate the Human Factor, to work out what it is that humans have that allows them to defeat the Daleks and then use that knowledge against them.  And it seems that they want Jamie to be the test subject to help isolate that factor.  Only it seems that someone has kidnapped Jamie...

These two episodes are a bit pacy, but they're also effective in setting up the mood of the piece.  There's a sense of danger even before the Daleks make their appearance, with a few bits of mystery added in to help keep things interesting.  It's a good start -- we'll have to see what happens next...

March 23: The Faceless Ones Episodes 5 & 6

Episode 5 sees things starting to fall into place; the Doctor gets a lead as he proves that Meadows has been replaced by a Chameleon, and Meadows shows his willingness to cooperate -- self-preservation is clearly a higher priority for him than loyalty.  Although this is the part where we learn that the Chameleons lost their identities in a "gigantic explosion."  I'm not sure how that works, but I guess we can give them the benefit of the doubt.  Meanwhile, Jamie sneaks aboard the Chameleon space station but is soon caught, and Sam is at the mercy of the Chameleon nurse.  It's quite entertaining, and things progress as the Doctor enters and the nurse is killed when the white armband is ripped off her double (although oddly, the Doctor asks Meadows where the nurse keeps her original despite having discovered it last episode -- maybe he's just making sure Meadows isn't lying).

And then Jamie's identity is taken over by a Chameleon too!  That's very effective, not just because it means the Doctor has now lost all three of his companions to the Chameleons, but also because possessed Jamie talks in a standard Received Pronunciation accent instead of his usual Scottish one; a nice subtle way to make it clear that Jamie's also not Jamie.  But we're moving into the final phase, as the Doctor heads on board the final Chameleon flight, posing as a Chameleon himself.  Except the Chameleons haven't been fooled, and he's captured basically right after he arrives on their space station...

Captain Blade informs the Doctor that they know he's not a
Chameleon. (The Faceless Ones Episode 6 - from Doctor Who
Photonovels: The Faceless Ones - Episode Six) ©BBC

Episode 6 is pretty thrilling too, as Gatwick Airport is engaged in a race against time to find the originals of the people the Chameleons are impersonating before the Chameleons leave for their home planet, taking 50,000 young people with them.  There're some shenanigans with Troughton as he destroys a processing unit, and a fight in the parking lot among Meadows, Sam, and Jean Rock that was probably entertaining.  There's also a great moment where they finally find the originals and pull the white armband off one of the people getting ready to process the Doctor; the Chameleons quickly change their tune once it's clear that Gatwick Airport isn't bluffing.  And, interestingly, the Doctor doesn't readily condemn the Chameleons for their actions; he makes them return everyone they've kidnapped, but he allows them go on their way (so long as they don't go back to their old ways) and even suggests he might be able to help them.  It's a surprisingly gentle resolution, particularly for this era of the show.

And finally, on film, we get to see Ben and Polly again (having been gone since episode 2), only for them to say goodbye.  It turns out that it's the same day Ben and Polly left (which suggests that War Machines were terrorizing London while Chameleons were kidnapping people across Europe), and so they want to resume their own lives.  Farewell then to Ben and Polly, who were also seemingly written out of a story halfway through like Dodo -- but at least this time we got a final goodbye scene with them.

The Faceless Ones is a good, enjoyable tale.  You get a sense of the show finding a viable direction, as the idea of people putting their lives into the hands of the people operating the planes mixes with the fear of loss of identity.  There are also some good authority clashes with the Doctor that turn into a grudging trust, and really the first Jamie/Doctor interplay we see.  It's also paced well, which helps no end.  The final result is the best story since Troughton made his debut in The Power of the Daleks.

March 22: The Faceless Ones Episodes 3 & 4

Episode 3 was returned in 1987, so we can also watch this.

There's not much that actually happens in this episode, but it's filled with enough incident along the way to stay entertaining.  We do learn a little more about Chameleon Tours, and the Doctor gets a chance to do more investigating.  Ben and Polly are still missing, which means the Doctor and Jamie get more opportunities to really bounce off each other, and they make a splendid double act.  The Doctor also comes in contact with a new authority figure, Detective Inspector Crossland, who, it turns out, was the partner of the man murdered in episode 1 -- and unlike the Commandant, he's willing to believe the Doctor's story.  This means the Doctor gets to go back into air traffic control with the Commandant.

The Doctor demonstrates an alien freezing pen for the
Commandant, DI Crossland, and Jean Rock. (The Faceless Ones
Episode 3) ©BBC

Watching these scenes, it strikes you how at home Troughton is causing havoc.  The scenes in The Moonbase felt forced, but this feels much more natural, as the Doctor disrupts things just by being there, and he does it in a way that it's difficult to imagine Hartnell doing.  It's quite wonderful to behold.  And while Ben and Polly are missed, it does give Jamie a chance to shine, and his interactions with Sam Briggs are lovely, as he's awkward yet fiercely loyal to the Doctor.

And then DI Crossland heads onto one of the Chameleon Tours airplanes and learns that the people onboard are being kidnapped and disappearing on the plane...

Episode 4 is another enjoyable episode, even if it does have a silly "set up a slow moving laser beam to kill our heroes and then leave the room" action from the villain (and here we note that Goldfinger came out only three years earlier).  Sam then goes off to get onto a Chameleon Tours flight, and Jamie doesn't want to let her, so he steals her ticket while giving her a kiss -- the telesnaps don't tell us how chaste the kiss was, but it sounds like it was more than just a peck on the cheek...

And the other events are nice; the Doctor investigates the medical facility and discovers the real nurse in a cupboard, and Jean Rock learns that Chameleon Tours picks up people at airports around Europe, but it never drops off passengers -- while the Doctor seems to have already worked out what's happening.  "How high can fighters go these days, Commandant?" he asks.  When told the answer is "ten miles plus," he's dismissive: "How futile."  And indeed, we learn that the airplanes are actually spaceships, heading up to a station in orbit.  But what the Doctor doesn't know is that Jamie is on board (albeit not miniaturized like the other passengers since he was sick in the bathroom at the time).  It's a good story, paced and written well -- let's hope they can finish strong.