Omega warns the Doctors not to deceive him. (The Three Doctors Episode Three) ©BBC |
Then there's the infamous moment where the Brigadier, upon finding that UNIT HQ has been transported to some new location, believes they've been transported to Cromer (a coastal town in Norfolk), rather than a different universe as the Doctor says. The Stupid Brigadier archetype really begins here, sadly -- although he still handles the rest of the situation well, as he watches the second Doctor and Benton get led away by Gell Guards and taken inside Omega's place and tries to figure out how to get inside. (He doesn't, for instance, ask Mr. Ollis where the nearest phone is.) Still, we're a far cry from the Brigadier of The Invasion or Spearhead from Space.
But the best parts of this episode are the Doctors' interactions with Omega, as he explains the plot and backstory to them (at exactly the right part in the story for the audience as well). The oddest part is when Omega discovers them wandering around his place and examining Singularity (which is consistently treated as a proper noun rather than a thing) and declares that the Doctor must fight the dark side of his mind, which looks like a weird bloke in vaguely racist Oriental make-up exchanging judo throws with Jon Pertwee in an entirely black void. Stranger still, this fight ends up being the cliffhanger, as the third Doctor starts to lose to Omega's dark side.
The first Doctor advises the other two from the TARDIS scanner. (The Three Doctors Episode Four) ©BBC |
And at the very end, in gratitude for saving the Time Lords, the Doctor's exile is revoked: he receives a new dematerialization circuit and the memory of how to properly travel in time. The Doctor is no longer stuck in one time and place (thus making official what had basically been the situation last season anyway, only without needing to constantly refer to the Time Lords interfering with the TARDIS).
The Three Doctors is a story that gets a bit of a rough ride from fans, but it's frankly hard to see why. It's sometimes derided as cheap and gaudy, but it's not noticeably any cheaper or gaudier than any other "space" story from this era, and in fact the striking Glam rock design is one of this story's charms. There's also the fun interplay between Patrick Troughton and Jon Pertwee, and it's nice to see William Hartnell, even if he's not as strong as he was when he was the star. Add to all this the sense of scale that the Bristol Boys have given us with their script, and the result is a highly entertaining adventure. And it's got a great ending, too, as Mrs. Ollis demands to know where her husband has been all this time. Mr. Ollis pauses, trying to come up with an explanation, before simply saying, "You'd never believe me, woman. Supper ready?" Season 10 is off to a strong start.