December 24: The Curse of Fenric Part Four / Survival Part One

This might be one of the best episodes Doctor Who's ever turned out.  The first three parts of The Curse of Fenric have been leading up to this climactic episode, when Fenric is finally set free, using the body of Dr. Judson and ready to unleash his evil upon the world.  "When it comes to death, quantity is so much more satisfying than quality," Fenric remarks.  To that end Fenric wants to release Millington's toxin into the waters and pollute the entire planet, killing everyone.  He's even brought the Ancient One (who appears to be the chief Haemovore) back in time from the distant future to help him achieve his goal.

Fenric agonizes over the puzzle the Doctor has set for him.
(The Curse of Fenric Part Four) ©BBC
This is a tense episode, as the soldiers fight a desperate battle first against the other soldiers (British vs. Soviet) and then together against their common enemy.  I also really like the scene where, after the Haemovores have broken into the room where the Wrens are hiding, soldiers come in to evacuate them, only to find that they've all been turned into Haemovores -- and they all descend on one hapless soldier who's apparently paralyzed with fear.  And meanwhile Fenric can't help but be pulled into the Doctor's trap: the same one that trapped him seventeen centuries ago.

But the best part is the ending sequence, where Ace inadvertently provides Fenric with the solution to the chess puzzle and then we get a taste of how long Fenric's been trying to manipulate the Doctor, by bringing one of his "wolves" (people descended from the Vikings who brought Fenric's flask to England) into contact with him.  It's actually a really brutal sequence for Ace, as the Doctor systematically tears her down in front of Fenric:
SORIN: Kneel if you want the girl to live!
DOCTOR: (quietly) Kill her.
SORIN: (laughing) The Time Lord finally understands.
DOCTOR: Do you think I didn't know?  The chess set in Lady Peinforte's study?  I knew.
SORIN: Earlier than that, Time Lord.  Before Cybermen.  Ever since Iceworld, where you first met the girl.
DOCTOR: I knew.  I knew she carried the evil inside her.  Do you think I'd have chosen a social misfit if I hadn't known?  She couldn't even pass her chemistry exams at school, and yet she manages to create a time storm in her bedroom.  I saw your hand in it from the very beginning.
ACE: Doctor, no.
DOCTOR: She's an emotional cripple.  I wouldn't waste my time on her, unless I had to use her somehow.
Turns out the Doctor's just trying to tear down Ace's psychic barrier so that the Ancient One can attack Fenric, but it still doesn't do much for Ace's psyche -- even if he does apologize afterwards ("I'd have done anything not to hurt you, but I had to save you from Fenric's evil curse.  Your faith in me was holding the Haemovore back").  But what's really nice about this scene is how it seems to tie together a number of disparate elements, to make them seem bigger and more important than they initially appeared.  (It also explains how both Ace and Lady Peinforte were able to travel from their own times to different ones.)

But then that's the real strength of this entire story.  The Curse of Fenric manages to take a number of different elements (vampires, early computers, British and Soviet soldiers in World War II, and eeevil evilsincethedawnofTime) and put them together to create a compelling, weighty story.  And not only that; it tackles things like the nature of faith (and how it doesn't have to be religious) and the futility of war ("War, a game played by politicians," one of the Soviet troops, Vershinin, says.  "We were just pawns in the game, but the pawns are fighting together now.  Eh, comrade?"), and it does it in a wonderfully subtle manner.  All this and some fabulous acting and direction to boot (and full marks to director Nicholas Mallett for convincing John Nathan-Turner to let him film this all on location).  Really, the DVD special edition is the way to go with this story (it adds in some needed scenes, reorders things, and regrades the visuals to make it look more consistent) -- one of the few DVD special editions that is actually worthwhile (as opposed to, say, the recut versions of Enlightenment or Planet of Fire, which are both entirely dispensable).  But even the episodic version is a tremendous success.  The Curse of Fenric is deservedly known as one of the best stories of the 1980s.

And now it's on to part one of Survival -- the final story in Doctor Who's original run.  It's something of a bittersweet moment; even though we know the show will eventually return, this still feels like an ending.  But, if this episode is anything to judge by, the show will be going out on a high note.

Even in this first episode Survival makes some of its themes clear.  There's definitely a number of criticisms directed at the "dog eat dog"/"every man for himself" culture of the late '80s.  Here it's stated (repeatedly) as "survival of the fittest", with the implications that you'd better be the fittest -- a position the Doctor clearly doesn't agree with.

The other interesting thing about this episode is the juxtaposition of the normal (contemporary Perivale) with the bizarre.  It starts out with some odd shots and disappearing people, and it ends with strange cheetah-like people transporting people to another planet (which looks surprisingly alien, dry, and dusty -- they've done an excellent job of differentiating the two settings) -- and yet this combination never feels forced or unnatural.  It's a logical progression of what we've seen: the Territorial Army sergeant is trying to teach survival of the fittest, but there's a species that's mastered this and the hunt, making them formidable.

Let's be honest; the cliffhanger's not that surprising, given that they've been showing us Anthony Ainley's distinctive eyes for much of the episode.  The surprise isn't that the Master's back (and it has been a couple years, at least, so there's not the sense of inevitability about this appearance that there might have been a few seasons earlier) -- the surprise is that he appears to have cat eyes and some form of limited control over the Cheetah People (as the Doctor will call them in part two).  And in a story with the theme of survival of the fittest, one wonders if the Master has become like the Cheetah People to become the fittest...